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Martyrs
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Singing at the Fire: Voices of Anabaptist Martyrs
combines choral settings of 10 Anabaptist hymns and martyr ballads,
original poetry, and three solo organ pieces to evoke the spiritual
witness of 16th century Anabaptist martyrs. Inspired by and designed to
accompany the Mirror of the Martyrs exhibit, the CD recording features
the Eastern Mennonite University (EMU) Chamber Singers directed by Ken
Nafziger, organist Shirley Sprunger King, with original works by
composer Brent Weaver and poet Sarah Klassen. Included with the CD is
a 16-page illustrated booklet with the complete text of the martyr
hymns and poems. The Mirror of the Martyrs exhibit developed after
longtime Mennonite historians Robert S. Kreider and John S. Oyer became
aware of 23 existing copper plates from etchings included in the 1685
publication of the Mennonite book Martyrs Mirror. An Inter-
Mennonite Martyrs Mirror Trust Fund purchased them and, in 1990,
Kreider and Oyer mounted a traveling exhibit of the plates and their
prints. When Oyer and Kreider agreed that hymns related to these
plates would enrich the visual experience of the exhibition, Oyer began
searching 16th and 17th century German hymnals for texts written by the
martyrs represented in the prints, or about the martyrs. Later, tunes
were chosen by a hymnology class at the Associated Mennonite biblical
Seminary in Elkhart, Indiana, and combined with the texts. The Eastern
Mennonite University Chamber Singers perform choral settings of these
martyr hymns and ballads. The recording also features 20th century
responses to stories from the Martyrs Mirror. Prompted by organist and
CD producer Shirley Sprunger King, composer Brent Weaver wrote three
works for solo organ inspired by poetry by Sarah Klassen. Klassen's
poems, a response to the Mirror of the Martyrs exhibit, are included on
the recording, read by Raylene Hinz-Penner. A final composition by
Weaver, I Sing With Exultation, is a setting of a hymn text
by Anabaptist leader Felix Manz and features the EMU Chamber Singers
with organ accompaniment by Shirley Sprunger King. | |